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updated
2009 10 11 |
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stockholm, sweden |
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cityhall, oslo, norway |
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cityhall, oslo, norway |
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cityhall, oslo, norway |
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cityhall, oslo, norway |
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aker brygge, oslo, norway |
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city court, oslo, norway |
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national gallery, oslo, norway |
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national gallery, oslo, norway |
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henrikibsengate, oslo, norway |
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akergata, oslo, norway |
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hotell, oslo, norway |
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bankgata, lillehammer, norway |
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birkebeinern, lillehammer,
norway |
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kirkegata, lillehammer, norway |
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church, lillehammer, norway |
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kulturhuset banken, lillehammer,
norway |
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artmuseum, lillehammer, norway |
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the rocks, sydney, australia |
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the rocks, sydney, australia |
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the rocks, sydney, australia |
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the rocks, sydney, australia |
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the rocks, sydney, australia |
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zeeburg, amsterdam, nederland |
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zeeburg, amsterdam, nederland |
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zeeburg, amsterdam, nederland |
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zeeburg, amsterdam, nederland |
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zeeburg, amsterdam, nederland |
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skeppsholmen, stockholm, sweden |
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skeppsholmen, stockholm, sweden |
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The Royal University College
of Fine Arts, stockholm, sweden |
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gronalund, stockholm, sweden |
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moderna museet,
stockholm, sweden |
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tree, stockholm,
sweden |
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lost, venice, italy |
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lost, venice, italy |
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lost, venice, italy |
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venezia biennale,
venice, italy |
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art can be everywere,
venice, italy |
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roof, forshan, guangdong province,
china |
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bamboo, forshan, guangdong
province, china |
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toilet sign, forshan, guangdong
province, china |
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construction site, forshan,
guangdong province, china |
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tempel, forshan, guangdong
province, china |
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tree, forshan, guangdong province,
china |
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tree, acanthus, risor, norway |
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tree, acanthus, risor, norway |
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formverk, nykoping, sweden |
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formverk, nykoping, sweden |
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formverk, nykoping, sweden |
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formverk, nykoping, sweden |
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Tribus is a sculptural tag, a mass-produced object for the street.
It is a work with such a strong and direct shape and color language
that a signature is unnecessary. The expression is the signature and
the link between the art pieces. The ambition is to get a direct contact
with the viewer. Tribus wants the viewer to experience it´s intervention
in the public space as something positive. Using sculpture in this context
overcomes some of the obstacles that Graffiti/Street art meets where
the viewer classifies the artworks as sabotage even before the visual
contact. Getting people sympathetic to this project teases them to like
something illegal, Something they normally would condemn. Tribus take
its right without having the power. This project strives not to answer
any questions but want people to ask them.
Who owns the city
Who owns art
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adbusters
akayism
banksy
buy nothing
day
culture
jamming
erik
roren
graffiti.no
keith haring
obey giant
woostercollective
1001
fonts |
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